{"id":9479,"date":"2023-02-07T14:30:45","date_gmt":"2023-02-07T13:30:45","guid":{"rendered":"https:\/\/initial.mentalworks.me\/retour-dabyssinie-de-pierre-ardouvin\/"},"modified":"2023-12-05T09:01:16","modified_gmt":"2023-12-05T08:01:16","slug":"return-from-abyssinia-pierre-ardouvin","status":"publish","type":"post","link":"https:\/\/initial.mentalworks.me\/en\/return-from-abyssinia-pierre-ardouvin\/","title":{"rendered":"Work \u201cReturn from Abyssinia\u201d"},"content":{"rendered":"
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\n \n \"initial\n <\/picture>\n \u00a9 Photo credit Rebecca Fanuele. \u00a9Pierre Ardouvin, ADAGP – View of the \u201cH\u00f4tel de l\u2019Univers\u201d exhibition, Galerie Praz-Delavallade, Paris 2018 <\/span>\n <\/div>\n
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\n Initial X Pierre Ardouvin <\/span>\n

The work <\/h2>\n Return from Abyssinia, Pierre Ardouvin 2018. <\/span>\n <\/div>\n
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Digital 3D printing<\/a> and wood.<\/p>\n

300cm X 100cm X H 160cm.<\/p>\n

Production Labanque.<\/p>\n

\u201cThis project was selected by the sponsorship commission of the Fondation Nationale des Arts Graphiques et Plastiques, which provided its support\u201d.
\n <\/strong><\/p>\n

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 <\/p>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n

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\n \n \n \n \n \n \"initial\n <\/picture>\n
\n View of the \u201cReturn from Abyssinia\u201d exhibition, Labanque, Bethune 2018. Photo credit Marc Domage.\u00a9Pierre Ardouvin, ADAGP\n \n <\/div>\n <\/div>\n <\/div>\n\n\n
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\n Initial X Pierre Ardouvin\n <\/span>\n

\u201cReturn from Abyssinia\u201d by Pierre ARDOUVIN\n <\/h2>\n \u201cReturn from Abyssinia\u201d is a sculpture that questions the notions of utopia, dreams, imaginary or real journeys and otherness by means of the improbable encounter convened by the artist between Ferdinand Cheval and Arthur Rimbaud.\n <\/span>\n <\/div>\n \n \n \n \n \n \"initial\n <\/picture>\n
\n Details, view of the \u201cReturn from Abyssinia\u201d exhibition, Labanque, Bethune 2018.\n Photo credit Marc Domage.\n \u00a9Pierre Ardouvin, ADAGP\n \n <\/div>\n <\/div>\n <\/div>\n\n\n\n\n
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Biography <\/h2>\n <\/div>\n
Pierre Ardouvin was born in Crest, France, in 1955.\r\n He lives and works in Paris\r\n <\/div>\n
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His work has formed the subject of numerous solo and group exhibitions in France and abroad: the Muse\u0301e d\u2019Art Moderne de la Ville de Paris (2005, 2010), the Fondation Jumex, Mexico (2008) and even the NMCA, Seoul (2011).
\nIn 2016, the MAC VAL devoted a monographic exhibition to him entitled \u201cTout est affaire de de\u0301cor\u201d (It All Comes Down to Setting the Scene).<\/p>\n

Since September 2018, a series of unpublished works have been on display at TOPAZ Arts in New York.
\nToday, Pierre Ardouvin<\/a>\u2019s work is included in many public and private collections around the world.
\n<\/strong><\/p>\n\n <\/div>\n <\/div>\n <\/div>\n

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Exhibition <\/h2>\n <\/div>\n
Galerie PRAZ-DELAVALLADE PARIS\r\n <\/div>\n
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H\u00d4TEL DE L\u2019UNIVERS \u2013 <\/strong>Paris, 13 October \u2013 17 November 2018<\/p>\n

PIERRE ARDOUVIN<\/p>\n

5 rue des Haudriettes \u2013 F-75003 Paris +33 (0)1 45 86 20 00<\/p>\n

Instagram: @prazdelavallade<\/a> \u2013 Facebook: \/prazdelavallade<\/a>
\nJ\u00e9r\u00f4me SZEEMANN and Le mus\u00e9e du Palais Id\u00e9al du Facteur Cheval.
\nCourtesy of Galerie Praz-Delavallade\/ Paris and the artist.<\/p>\n

Photo credit Marc Domage.
\n\u00a9Pierre Ardouvin, ADAGP.
\nCourtesy of Galerie Praz-Delavallade\/ Paris and the artist.<\/p>\n

 <\/p>\n

\"\"<\/p>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n

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Acknowledgements <\/h2>\n <\/div>\n
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J\u00e9r\u00f4me SZEEMANN and Le mus\u00e9e du Palais Id\u00e9al du Facteur Cheval<\/a>. Courtesy of Galerie Praz-Delavallade<\/a>\/ Paris and the artist. Photo credit Marc Domage<\/a>. \u00a9Pierre Ardouvin<\/a>, ADAGP. Courtesy of Galerie Praz-Delavallade\/ Paris and the artist.<\/p>\n\n <\/div>\n <\/div>\n <\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cReturn from Abyssinia\u201d is a sculpture created using 3D printing.<\/p>\n","protected":false},"author":2,"featured_media":2329,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"content-type":"","footnotes":""},"categories":[52],"tags":[],"class_list":["post-9479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-categorie-production-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts\/9479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/comments?post=9479"}],"version-history":[{"count":9,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts\/9479\/revisions"}],"predecessor-version":[{"id":10395,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts\/9479\/revisions\/10395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/media\/2329"}],"wp:attachment":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/media?parent=9479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/categories?post=9479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/tags?post=9479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}