{"id":9487,"date":"2022-10-31T17:14:55","date_gmt":"2022-10-31T16:14:55","guid":{"rendered":"https:\/\/initial.mentalworks.me\/oeuvre-nicolas-sanhes-scan-3d-objet\/"},"modified":"2023-12-05T10:24:21","modified_gmt":"2023-12-05T09:24:21","slug":"work-nicolas-sanhes-3d-scanning","status":"publish","type":"post","link":"https:\/\/initial.mentalworks.me\/en\/work-nicolas-sanhes-3d-scanning\/","title":{"rendered":"3D scan of a work by Nicolas Sanhes"},"content":{"rendered":"
\n
\n\n \n
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\n 3D object scan <\/span>\n

Untitled, 2014 <\/h2>\n 255 x 460 x 320 cm \u2013 Square steel tube \u2013 H 180 cm \u2013 2.5 tonnes <\/span>\n <\/div>\n
\n

The style invented by Nicolas Sanhes<\/a> has four aspects: the void as a force, the line as tension, time as a pulse and space as breathing.
\n These four components would never have worked without two principles being applied; that of analogy and that of resonance.<\/p>\n

\u201cTrue analogy is an identity of relationships and not a relationship of identity,\u201d explains Gilbert Simondon.
\n The principle of resonance is an operation that can exist in matter and in the psyche.
\n It consists of establishing a relationship between two disparate dimensions of the same material or psychological entity.<\/p>\n

Since 2005, Nicolas Sanhes\u2019 works have been becoming what they are today, lines arranged by tensions pushed to the limit, embracing an interior void that structures and frames them.
\n They bring life to the void as the significant part of resonance, which unambiguously distinguishes and unites them.
\n <\/strong><\/p>\n\n <\/div>\n <\/div>\n <\/div>\n

\n \n \"scan\n <\/picture>\n \u00a9 Nicolas SANHES \u2013 \u201cD\u2019AZUR et d\u2019ACIER\u201d exhibition in the garden of the Mus\u00e9e Soulages, Rodez, Summer 2016-3D object scan <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n\n
\n
\n\n \n
\n \n \"initial\n <\/picture>\n \u00a9 3D object scan <\/span>\n <\/div>\n
\n
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\n the technical challenge <\/span>\n

An extraordinary 3D photogrammetry scan <\/h2>\n <\/div>\n
Initial scanned the monumental artwork in Nicolas Sanhes artist\u2019s studio using a photogrammetry scanning method (3D scanning).\r\n <\/div>\n
\n

The challenge involved producing sets of drawings and a 3D model of the work, enabling the artist to retroactively obtain his own drawings for his engineering needs in order, for example, to examine the distortions of lines for even more monumental projects.<\/p>\n

This 3D scanning<\/a> operation subsequently led to reverse engineering<\/a> and the generation of a CAD file.
\n <\/strong><\/p>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n

\n
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\n the artist <\/span>\n

Biography <\/h2>\n <\/div>\n
Nicolas Sanhes was born on 10 September 1965 in Rodez.\r\n He attended the Ecole des Beaux Arts in Perpignan, where he discovered his first museum, the Mus\u00e9e de C\u00e9ret.\r\n During his studies, he was soon drawn to the radical approaches of artists like Elsworth Kelly and Ad Reinhardt, who were pushing the internal contradictions of art to their limits.\r\n <\/div>\n
\n

Nicolas Sanhes
\n<\/a> began producing increasingly large scale works.
\nThe mastery of dimensions and technical constraints allowed him to complete his first public commissions for the cities of Trappes with IPt, in 2007, and Mont\u00e9limar, the following year, with IPm.
\nCreated in 2013 for the city of Valenciennes in \u201cH\u201d square tube, HV11 would be his most complex work to date.
\n<\/b><\/p>\n\n <\/div>\n <\/div>\n <\/div>\n

\n \n \"sc\"\n <\/picture>\n \u00a9 Nicolas Sanhes Facebook Photo. <\/span>\n <\/div>\n <\/div>\n <\/div>\n","protected":false},"excerpt":{"rendered":"

A monumental artwork scanned by Initial.<\/p>\n","protected":false},"author":1,"featured_media":2632,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"content-type":"","footnotes":""},"categories":[51],"tags":[],"class_list":["post-9487","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-categorie-expertise-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts\/9487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/comments?post=9487"}],"version-history":[{"count":4,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts\/9487\/revisions"}],"predecessor-version":[{"id":10461,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/posts\/9487\/revisions\/10461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/media\/2632"}],"wp:attachment":[{"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/media?parent=9487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/categories?post=9487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/initial.mentalworks.me\/en\/wp-json\/wp\/v2\/tags?post=9487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}